Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo

Why do we project images? How did projection practices develop across centuries? How do different forms of projection relate to each other? This lecture reflects on such issues from a media-archaeological perspective. The talk will be illustrated with a rich array of rarely seen imagery. Erkki Huhtamo, professor of media history and theory at UCLA, has pioneered media archaeology as an emerging critical approach to understanding media-cultural phenomena and the media interface which molds human experience. His lecture will address the development of projection practices throughout history and why people project images; the talk will be illustrated with a rich array of rarely seen imagery.

ERKKI HUHTAMO is a media archaeologist, writer and exhibition curator. He holds a Ph.D. in Cultural History, and works as Professor at the University of California Los Angeles. He has published extensively on media archaeology and the media arts. Media archaeology is an emerging approach pioneered by Huhtamo, which excavates forgotten, neglected and suppressed media-cultural phenomena, helping us to penetrate beyond canonized accounts about media culture. Huhtamo pays attention to the “life” of topoi, or clichéd elements that emerge over and over again in media history and provide “molds” for experience. What may seem new often proves to be just new packaging of ideas repeated over hundreds of years. Professor Huhtamo has applied this approach to phenomena like peep media, stereoscopy, the notion of the screen, electronic games and mobile media. He has also written about the ways in which media artists have integrated media-archaeological elements into their works.

RELATED READING

Erkki Huhtamo

Projecting Images: a Media-Archaeological Perspective

Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo
Erkki Huhtamo

Why do we project images? How did projection practices develop across centuries? How do different forms of projection relate to each other? This lecture reflects on such issues from a media-archaeological perspective. The talk will be illustrated with a rich array of rarely seen imagery. Erkki Huhtamo, professor of media history and theory at UCLA, has pioneered media archaeology as an emerging critical approach to understanding media-cultural phenomena and the media interface which molds human experience. His lecture will address the development of projection practices throughout history and why people project images; the talk will be illustrated with a rich array of rarely seen imagery.

ERKKI HUHTAMO is a media archaeologist, writer and exhibition curator. He holds a Ph.D. in Cultural History, and works as Professor at the University of California Los Angeles. He has published extensively on media archaeology and the media arts. Media archaeology is an emerging approach pioneered by Huhtamo, which excavates forgotten, neglected and suppressed media-cultural phenomena, helping us to penetrate beyond canonized accounts about media culture. Huhtamo pays attention to the “life” of topoi, or clichéd elements that emerge over and over again in media history and provide “molds” for experience. What may seem new often proves to be just new packaging of ideas repeated over hundreds of years. Professor Huhtamo has applied this approach to phenomena like peep media, stereoscopy, the notion of the screen, electronic games and mobile media. He has also written about the ways in which media artists have integrated media-archaeological elements into their works.

RELATED READING

2010: VIRTUALITY

The artists included in this dialog work within the realm of phenomenal perception, ungrounding our conditioned ways of seeing to create an ambiguous play between physical and perceptual space.

Spike Wolff
Festival Curator
Pablo Garcia
Festival Curator
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SPIKE WOLFF

Curator, Artistic and Executive Director

https://soa.cmu.edu/spike-wolff

lwolff [at] andrew [dot] cmu [dot] edu

Spike Wolff is Special Faculty in the College of Fine Arts and School of Architecture at Carnegie Mellon University. In addition to her work as Artistic and Executive Director of the wats:ON Festival, Spike is Curator of the School of Architecture Lecture Series and has curated exhibitions for the Miller Gallery on Carnegie Mellon’s campus. Spike assumed directorship of the wats:ON Festival in 2010 and has been instrumental in its revitalization, bringing an eclectic and diverse range of internationally acclaimed and emerging artists and their work to Carnegie Mellon. Spike’s work and interests are interdisciplinary in nature. Recent design projects include ‘Shadow’ an installation for the Mattress Factory Museum, ‘The Hurricane’ a temporary jazz club for the Hill House of Pittsburgh, and exhibition design for ‘Contrarreloj, Felix de la Concha’ at the Frick Art Museum. Spike holds a Master of Architecture from SCI-Arc and a Bachelor of Fine Arts from Carnegie Mellon University.
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CASSIE HOWARD

Curatorial Assistant

http://link.to/website

cmhoward [at] andrew [dot] cmu [dot] edu

Cassie Howard is a student in the School of Architecture at Carnegie Mellon University entering her fourth year. Cassie has been an invaluable member of the festival team since 2017 and is Curatorial Assistant for 2019: NOW. Cassie is interested in the intersection of contemporary practice and activism, especially in how the arts can bring a voice to people who are continuously marginalized, engaging and empowering diverse communities.
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LIZ FOX

Assistant Dean for Staff Engagement

https://www.cmu.edu/cfa/about/leadership/bios/liz-fox.html

lizfox [at] cmu [dot] edu

Liz Fox is an assistant dean in the College of Fine Arts. She has been with the university for more than 30 years and most recently served as the assistant dean for Research for the College of Fine Arts and was a certified research administrator. Recently, Fox took on a new role in CFA, managing staff engagement. To that end, she focuses on the following priorities: staff morale, professional and personal development, diversity, recognition and events. A graduate of the Pennsylvania State University, Fox is working to develop workshops and opportunities for the College of Fine Arts staff, as well as meaningful occasions for recognition and rewards.
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EDDY MAN KIM

Associate Curator Emeritus

https://soa.cmu.edu/eddy-mankim

eddymankim [at] cmu [dot] edu

Eddy Man Kim is an Assistant Teaching Professor in the School of Architecture at Carnegie Mellon University, where he serves as a Co-director of the Computational & Tangible Interaction Design Laboratory (CoDe Lab). Eddy Man is a designer, researcher, educator, and entrepreneur who was awarded the George N. Pauly, Jr. Fellowship to join Carnegie Mellon University School of Architecture faculty as a Visiting Assistant Professor for the academic year of 2014/2015. A technologist and futurist at heart, Eddy Man is interested in interdisciplinary efforts to mutually augment design and technology—especially as they relate to current trends in web technology. Eddy Man is also one of the founding members of openUU, a design research agency based in Hong Kong. While holding the position of Technical Director, Eddy Man marketed for, managed, and delivered openUU projects that won four Best-of-Year Awards by Interior Design magazine and the 40-under-40 Award by Perspective Global magazine. While managing his practice in Hong Kong, Eddy Man taught graduate students at The University of Hong Kong Faculty of Architecture as a visiting design studio instructor and design workshops for Hong Kong Interior Design Association. Eddy Man received his Bachelor of Architecture from Cornell University College of Architecture, Art & Planning and obtained his Master in Design Studies at Harvard University Graduate School of Design, with a concentration in Design Technology. Upon completion of his Masters thesis, Sandbox3D: Web App for Real-time Design Collaboration, he was awarded the Digital Design Prize for _“the most creative use of digital media in relation to the design professions.”_ Eddy Man has worked in the offices of POSCO A&C of Seoul, South Korea; Robert A.M. Stern Architects in New York City; EPIPHYTE Lab of Ithaca, New York.
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GOLAN LEVIN

Curator Emeritus

https://www.cmu.edu/cas/people/levin_golan.html

golan [at] andrew [dot] cmu [dot] edu

Golan Levin develops artifacts and events which explore supple new modes of reactive expression. His work focuses on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. Through performances, digital artifacts, and virtual environments, often created with a variety of collaborators, Levin applies creative twists to digital technologies that highlight our relationship with machines, make visible our ways of interacting with each other, and explore the intersection of abstract communication and interactivity. Levin has exhibited widely in Europe, America and Asia. Levin’s work combines equal measures of the whimsical, the provocative, and the sublime in a wide variety of online, installation and performance media. His work has been exhibited at the New Museum of Contemporary Art, The Kitchen, the Neuberger Museum, and The Whitney Biennial, all in New York; Ars Electronica in Linz, Austria; The Museum of Contemporary Art in Taipei, Taiwan; The InterCommunication Center in Tokyo, Japan; and the Zentrum für Kunst und Medientechnologie in Karlsruhe, Germany, among other venues. Levin received undergraduate and graduate degrees from the MIT Media Laboratory, where he studied with John Maeda in the Aesthetics and Computation Group. Between degrees, he worked for four years as an interaction designer and research scientist at Interval Research Corporation. Presently Levin is Associate Professor of Electronic Time-Based Art at Carnegie Mellon University.